Episode 4 - The Key

An example of short side keying from the far side of the frame in Fight Club

An example of short side keying from the far side of the frame in Fight Club

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An example of short side keying from the far side of the frame in Fight Club

An example of short side keying from the far side of the frame in Fight Club

An example of short side keying from the far side of the frame in Fight Club

An example of short side keying from the far side of the frame

A Rembrandt portrait

An example of short side keying from the far side of the frame in Fight Club

Dark to camera from Doom Patrol

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Dark to camera from Doom Patrol

An example of extreme overhead lighting from The Godfather

Dark to camera from Doom Patrol

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A lot more fill from Drop Dead Diva

An example of extreme overhead lighting from The Godfather

An example of extreme overhead lighting from The Godfather

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An example of extreme overhead lighting from The Godfather

An example of extreme overhead lighting from The Godfather

An example of extreme overhead lighting from The Godfather

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Old school glamor lighting from In a Lonely Place

When the nose shadow doesn't connect with the cheek shadow

When the nose shadow doesn't connect with the cheek shadow

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When the nose shadow doesn't connect with the cheek shadow

When the nose shadow doesn't connect with the cheek shadow

When the nose shadow doesn't connect with the cheek shadow

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